Bold television

It sounds like a contradiction in terms, doesn’t it? Fortunately there are exceptions to the great rule of mediocre television.

I’ve watched two great «science fiction/fantasy» TV-series lately: 4400 and Heroes.

4400 has so far run three seasons, and thirty episodes. Heroes is new last fall, and NBC has so far aired eleven episodes.

They are fairly similar thematically. It’s about the Mutant, the X-Factor, the X-Man, the man apart, a part of storytelling stretching back thousands of years. But while 4400, though a good, solid story is quite traditional in execution, Heroes is clearly making new ground both visually and in the Storyteller tradition. Each frame in Heroes is like poetry, like music visualized. And it’s rough, brutal in a way hardly before shown on television. This is not your parents’ fairy tale television, but very real and down-to-Earth.

Re-watching the first eleven episodes and rediscovering the series is a great experience, in some ways even greater than watching it the first time, since we can enjoy it more. Once again we know nothing of what is coming (even if we do). We witness Peter’s insecurities. We don’t know what the deal is with Niki, or Isaac or Peter… or Sylar. Is Isaac nothing more than a drug addict or is he able to paint the future? Is Peter nuts, or can he truly fly? What does it take for a person to throw herself or himself off a tall building the way he did? We didn’t really know if he would fly or leave a splash on the pavement, and it is great. Sylar is just a name at first, at homicide sights and written in blood on walls. We know nothing, and we speculate and find out as we go along.

So, we are introduced to the characters, and to the story, and we grow to like them, like it. And it keeps building, keeps developing, while staying grounded in its foundation.

Amazing.

Tim Kring, the executive producer and driving creative force behind the series has evidently planned ahead. He writes crucial episodes, and make sure it’s seamless from his vision when he leaves the writing to others. He’s doing or planning to do a Babylon 5, a five-year arc. Hopefully, he will succeed and even exceed that series. Fortunately Heroes lacks the boisterous innocence of Babylon 5 and will surpass it in every way.

We watch Peter fly (sort of), and discovering his true Power. We live with Isaac as he learns to handle his talent. And we experience the emotional rollercoaster, the ups and downs of Hiro’s journey. We are with Niki as she realizes to her horror what she is. We witness the long awaited confrontation between Peter and Sylar, and we wonder what the significance of it is.

It isn’t really about heroes. It is about people, real and believable. Heroes might be described as a comic book for adults. Fortunately it has already transcended that limited label, like it has so many things.